Casino Royale opening scene analysis.
The opening scene is presented in
black and white throughout, this could connote good v evil, it can also create
a tense mood throughout and the audience will be more likely to be focused on
the action sequences instead of being distracted by different colours in each
frame. The first shot is a low angle establishing shot of where the scene is
set. The low key lighting due to the black and white filter can create suspense
and gives off a negative mood for the audience. In the bottom left hand corner
we are given the location for where the scene is set 'Prague, Czech
Republic'. We are next shown a low angle close up of a man getting out of
a car, the low angle shot can suggest that he be seen as important to others as
a low angle shot can imply power. The shot is slightly slanted which can give a
distorted view to the audience. His facial expression looks concerned or nervous
as his eyes move around a lot which can imply he is looking out for anyone who
could possibly be watching him. The next shot is when he is moving up the
elevator, but instead of a low angle shot, the audience are given a high angle
close up of the man who can suggest vulnerability and weakness. The extreme
close up of the elevator levels; give the audience the enigma asking them where
this man is going at such a late time of night. As he walks out the elevator,
the long shot of him walking through the corridor allows us to look at his
expensive and modern looking surroundings, which can suggest that he has a lot
of power and wealth.
We are shown a low angle long shot of
the character walking into a very dark room which can create anticipation for
the audience, as the shot moves around to show an office we are suddenly
blocked from the shot by a chair and suddenly the next shot we are shown is a
close up of the man. He suddenly halts and his facial expression suggets shock
and anxiousness as he realises he is not the only one in the room. He jump and
turns around as we see through an over the shoulder shot that the protagonist,
James Bond, is sitting the chair, supposedly waiting for him. He is sitting
quite far away which means most of his body is covered up by the dark
lighting apart from his face which is the only part the audience can see. This
connotes a sense of mystery and tension between two characters and the audience
are given another enigma as to why James Bond is here and what he wants from
the man. As the man, whose name we are not yet given, slowly sits down with
caution, the non-diegetic sounds start to play, we hear an eerie high pitched
sound that also plays a part in building tension and anticipation for the
audience. Secretly, the man opens a drawer beside him and we are shown a close
up of a gun in the drawer, this is a general convention of an action film as
weapons are used a lot throughout fight scenes and physical stunts between
characters to excite and thrill the audience. The next shot is a medium shot of
what the audience now see as the antagonist, the shallow depth of field in the
foreground allow the audience to completely focus on him, even with the low key
lighting. The long shot show the two characters, it shows the audience the
amount of tension between each other, even though they both look relaxed and
calm. There is more lighting over the antagonist rather than the protagonist
which can connote that the protagonist is more secretive and cautious of
himself, compared to the antagonist who is proud and thinks he is the more
dominant role between the two.
Suddenly the shot turns to an action
scene between the protagonist and another character, the lighting is very
bright compared to the frame before and jucstaposes with the fighting scenes as
white should connote purity and goodness but contrasts with the hatred and
fighting between the two characters. We are shown a range of high angle shots
looking down at the fight scene, which can give the audience a clearer view of what’s
going on. As well as this, we are shown a range of close up and a medium shot,
the shots are very fast paced and doesn’t give the audience enough time to
focus on each separate shot which can connote chaos and that both characters
are struggling for control. This fight scene is a general convention of an
action genre because throughout action films, we will be shown tremendous
impact, continuous high energy, lots of physical stunts, races, rescues,
fights, escapes, non-stop motion, spectacular rhythm and pacing, and
adventurous heroes - all designed for pure audience escapism. Just as the non-diegetic
sound picks up which rapidly builds tension, it stops suddenly as we are taken
back to the dark lighting scene where the antagonist points a gun at James
Bond. we are shown a close up shot of the antagonist with the gun in the
foreground of this frame but with a shallow depth of field, allowing the
audience to focus on the mans facial expressions, the smirk on his face
suggests that at the point, he believes that he is in control because he has
the power to kill the protagonist if he wants to. As he decides to pull the
trigger he realises that he has no ammo in his weapon and his expressions
implies that he is stunned and now terrified by the fact that now he knows he
has no power because he cannot defend himself.
As the scene is so tense at this
point, the protagonist who we all know as, James Bond, breaks the tension with 'I
know where you keep your gun', this can be seen as a humorous line or
something that can break the suspense, even though the non-diegetic sound plays
a part at trying the increase it. As the conversation goes on between the two
characters, we are quickly passed back onto the action scene, showing a low
angle shot; the victim would be the prevalent character, this can make the
antagonist in this scene look weak because he is lower down compared to James
Bond, and the low angle can connote a sense of power and dominance for Bond. We
are shown a close up of Bond's face as he is drowning his victim, his face
connotes strength determination but also a sense of being reluctant as it is a
long process before he dies and can be quite uncomfortable to watch, especially
for the audience. This is a general convention of an action film because we are
most likely to watch fight scenes and death scenes, to bring thrill and
excitement to the audience.
Our final shots are back between the
two characters, and as the antagonist is talking we are shown a close up of
Bond pointing the gun and shooting it at the protagonist. We are shown a clean,
cut, high angle shot of the antagonist falling backwards, as this happens the
non-diegetic sound suddenly picks up to build tension and stops after the antagonist
is killed. Our final shot is a close up of James Bond talking to himself and
the last sound we hear is the diegetic sound of the gun taking itself off the
trigger.
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